| If you have March-April issue of Handwoven, you can read all about Scharine and her journey to weaver her life. |
| She shares the lessons learned from her grandmother, who lived and wove in -Okinawa. |
| Scharine weaves her soul into her fabric. |
bashofu, a banana fiber is spun to make light, stiff cloth that is perfect for wearing in a hot climate. |
| The leaves are split into strips and then each piece is separated into thin slivers of thread, which are then tied and spun together |
| This spinning process is very time consuming but worthy of the fabric woven |
| a weaving shuttle |
| Silk and hemp fabric with natural dyes for color |
| Scharine models a traditional kimono |
| It boggles the mind to think of the processes used to achieve such lively colors and perfect patterns |
| Silk woven sash |
| natural dyes bring out the ikat pattern in this garment |
| Many tiny knots were tied to achieve this delicate pattern |
| spinning wheel made personally for Scharine from bamboo |
| Stencil! Yes, a stencil cut to be used as a resist |
| This is sample of process of stencil that is used to create the pattern |
| Scharine's stencil cut and dyed in John Marshall workshop. Yes, our group is very fortunate to have talented weavers in our midst--very sharing weavers! |